Read more about the article ‘Gravity’ review: A stunning, literally cinematic masterpiece
Sandra Bullock (Ryan Stone) and George Clooney (Matt Kowalski) in Gravity

‘Gravity’ review: A stunning, literally cinematic masterpiece

Very few movies nowadays truly deserve the title "cinematic masterpiece"; but Gravity is one of them. You have to go to the cinema to view it to appreciate just how much of a masterpiece it is, and you have to watch it in 3D -- preferably in IMAX, but definitely in 3D. (And I'm speaking as someone who hates watching things in 3D.) Watching it in any other form -- on TV, on your computer; or even worse, your smartphones and tablets -- would be to rob yourself of an experience that movies have been trying to build themselves up to since the very beginnings of cinema: To immerse its viewers in an experience so akin to reality you feel you are amongst the characters on screen in that very moment.

Continue Reading‘Gravity’ review: A stunning, literally cinematic masterpiece
Read more about the article ‘Rush’ review: Possibly as thrilling as going to the F1 races itself
Chris Hemsworth as James Hunt and Daniel Brühl as Niki Lauda in Rush

‘Rush’ review: Possibly as thrilling as going to the F1 races itself

Watched two movies last night: a documentary about Formula 1 called 1 (trailer below), and Rush, about the 1970s rivalry between F1 drivers James Hunt and Niki Lauda, starring Chris Hemsworth, Daniel Brühl and Olivia Wilde.

Continue Reading‘Rush’ review: Possibly as thrilling as going to the F1 races itself
Read more about the article ‘The World’s End’ review: Literally
From left: Martin Freeman (Oliver Chamberlain), Paddy Considine (Steven Prince), Simon Pegg (Gary King), Nick Frost (Andy Knightley) and Eddie Marsan (Peter Page) in The World's End

‘The World’s End’ review: Literally

The World's End is British comedy gold, pure and simple. Written with razor-sharp British wit (which means lots of straight-laced humour, puns and even visual gags) by Edgar Wright and Simon Pegg, it rounds up their "Cornetto Trilogy" (named so because they feature a Cornetto flavour in each of them), which includes Shaun of the Dead and Hot Fuzz, two other comedies in the same vein.

Continue Reading‘The World’s End’ review: Literally
Read more about the article ‘Ilo Ilo’ review: A snapshot in time
Singaporean director Anthony Chen's Ilo Ilo

‘Ilo Ilo’ review: A snapshot in time

Watched Ilo Ilo on Tuesday to see what the fuss is about. The theatre was packed with other like-minded people too -- because I highly doubt that it would have gotten such a huge reception if it didn't win the Camera d'Or at Cannes. It's a subtle, introspective indie-ish drama: not the loud, brash comedies that typical Singaporean moviegoers look for in local films, judging from top-grossing Singaporean movies like Money Not Enough and Ah Boys to Men.

Continue Reading‘Ilo Ilo’ review: A snapshot in time